| |
| Track list: |
 |
1. Hoje, amanhã e depois
2. Na hora de ir
3. Memorando
4. A ilha
5. Respirando
6. voyager
7. Expresso da elétrica avenida
8. Nebulosa
9. Sem preçco
10. Vai buscar
11. Pode acreditar
12. Futura |
|
Naçao
Zumbi
Futura
Catalog: #7020
Release date: December, 2005
When European writers talk about 'World'
music, the implication can be a rather folkloric one. Brazilian music as
a label carries a weightier set of assumed meanings. How would a Brazilian
band be classified if they played a wild punkish funk sound that was also
fuelled by obscure northeastern Brazilian carnival music forms that are
the forebears of Samba? There is such a band. Meet Nacao Zumbi.
Pronounced NASS-OW ZOOM-BEE, they take old and new Brazilian music influences
- with all its percussion-drenched syncopation - and the sounds of what
Brazilians call the 'exterior'. Remember, for Brazilians, Dub, Punk and
Hip-Hop are 'World Music'. While Bebel Gilberto updates the Bossa Nova idiom
and Sao Paulo kicks a foreign music form - Drum'n'Bass - up the backside,
Nacao Zumbi have married the percussion sounds of their music-rich native
state, Pernambuco, to the gamut of left-field tastes and experiences of
the six main band members.
They are less a band than they are new musical style, unwitting pioneers
of the only completely new movement of their native land. That sound was
labeled Mangue Bit (later altered to 'Beat') - a modern computer bit reinvigorating
the old-time grooves; the old and local fusing with the modern and global.
Nacao Zumbi count David Byrne, Asian Dub Foundation and Goldie as good friends
and confound any attempt to pack them into one category. Wherever Nacao
Zumbi play, they're different to any other act by definition. These archaic
Brazilian rhythms are more strongly accented and syncopated than on any
James Brown record. As a result, the band fits in everywhere.
Put them on a bill that consists of Jungle, Ragga and Dub, and the sound
of their stone-free bassist Djengue will thud into action, grappling with
the tumultuous noise created by their three-man unit of bass drummers.
If you booked them to play between Queens Of The Stone Age and Jane's Addiction
at Lollapalooza, Nacao Zumbi's guitar virtuoso (and former Soulfly guitarist)
Lucio Maia would give Dave Navarro a run for his money.
Dip your dancing feet into the Nacao Zumbi sound - the Mangue roots will
wrap themselves around your internal rhythm. You may never escape.
|
|